Markets & Countries

🇨🇳

China

$13.8B

Ground Zero · 275M MAU

The birthplace of vertical drama. Douyin and Hongguo dominate with massive MAU. Over 15,000 new titles produced annually.

🔍 LENS DATA

China: The $16.5B Duanju Market

Read on Streaming Lens →

🇺🇸

United States

$1.5B

ReelShort dominance · 70M MAU

ReelShort captures 69% of US revenue. The market grew 4x in 2025 with $700M in IAP.

🔍 LENS DATA

US Market: Top Platforms Ranked

Read on Streaming Lens →

🇮🇳

India

$400-500M

10+ platforms · Massive potential

The next frontier. Pocket FM, VIGLOO, and local players compete for 1.4B potential viewers.

🔍 LENS DATA

India: The $3B Opportunity

Read on Streaming Lens →

🌏

Southeast Asia

Indonesia, Thailand, Philippines

Fast-growing region with strong mobile-first culture. Translated Chinese content performs well.

🔍 LENS DATA

SEA Market Data

Read on Streaming Lens →

🌍

MENA

Saudi Arabia, UAE, Egypt

Emerging market with high ARPU potential. Arabic-language content production growing.

🔍 LENS DATA

MENA: 120M+ Users

Read on Streaming Lens →

🌎

Latin America

Brazil, Mexico

Spanish and Portuguese translated content gaining traction. DramaBox and DramaWave expanding.

🔍 LENS DATA

Latin America Market Data

Read on Streaming Lens →

🇪🇺

Europe

UK, Spain, France

Production hubs emerging in Spain and UK. Regulatory environment (DSA, GDPR) shapes distribution.

🔍 LENS DATA

Europe Market Data

Read on Streaming Lens →

🌍

Africa

Nigeria, Kenya, South Africa

Kuku TV and local producers bringing vertical drama to African audiences. Mobile money enables monetization.

🔍 LENS DATA

Africa: Nollywood Goes Vertical

Read on Streaming Lens →

37 countries tracked in depth